Convergence & Space is still having an impact on my work...the shadows we discovered in the Goods Shed, their movement and the way they layer up...intensifying the experience of their existence. I tried to gather information about shadows...
I have been carving stone for more than 25 years, free and aimless to wanting to work like a mason, familiarising myself with quarries and their history, letter carving.
Ann-Margreth Bohl works mainly in stone and metal and categorises her work by Installation, Drawing, Lettering and Sculpture. However, she also includes a variety of other media into her work, from beeswax to sound. Interested in light, shadow and the passing of time,...
Light Beam
As with ‘Light Land’, I drew this little ‘Light Beam’ series during the days, it is only ever a few days here, of deep snow. The whole world changed into light and dark into blue shadows and intense light. I am especially fond of these two drawings. Whilst drawing I worked only with natural light as it reflected from the snow outside into my studio, I was able to be focused on the changing light conditions on the black paper, more a feeling than anything else…I can still go back there with a clear memory and a ‘knowing’ of the movement of natural light in that winter wonderland.
Light Shadow Form
Following on from ‘Shadow Form’ with ‘Light Shadow Form’ I am trying to observe and draw from memory how I think shadows move, the burred edges, almost like fog, spreading out, never settling enough in one place.
Some thoughts on 'Lüsenen'... Queues of people outside the big red door of the crypt. Limiting the numbers of people at any given time down there as it is quite unbelievable how much the amount of visitors and their way of experiencing a work like this influences the...
Light Beam
As with ‘Light Land’, I drew this little ‘Light Beam’ series during the days, it is only ever a few days here, of deep snow. The whole world changed into light and dark into blue shadows and intense light. I am especially fond of these two drawings. Whilst drawing I worked only with natural light as it reflected from the snow outside into my studio, I was able to be focused on the changing light conditions on the black paper, more a feeling than anything else…I can still go back there with a clear memory and a ‘knowing’ of the movement of natural light in that winter wonderland.
Light Shadow Form
Following on from ‘Shadow Form’ with ‘Light Shadow Form’ I am trying to observe and draw from memory how I think shadows move, the burred edges, almost like fog, spreading out, never settling enough in one place.
Shadow Form
What if…ephemeral shadows are frozen in time and create a solid memory? Is it possible to translate the movement of shadow into a three dimensional form, which decisions need to be taken to determine the outcome of the form.
Light Shadow Form
Following on from ‘Shadow Form’ with ‘Light Shadow Form’ I am trying to observe and draw from memory how I think shadows move, the burred edges, almost like fog, spreading out, never settling enough in one place.
A sound installation in Gloucester Cathedral Each chamber in the crypt of Gloucester Cathedral has unique acoustic qualities. Ann-Margreth Bohl, sculptor and installation artist, has been collaborating with a team comprising musicians, a composer a sound designer and...
About my drawings I draw to think and get a feel for a subject I am interested in. As an artist I often wonder what my contribution to the world is... every now and then when one of you has been touched by one of my pieces, big or small or when I have been able to...
I draw to think and get a feel for a subject I am interested in.
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