'A time & a place' work by Ann-Margreth Bohl about artist residencies. Starting 17th January 2015 Ann-Margreth is a german born artist working predominantly with natural materials stone, beeswax, graphite, string, leather etc. Through the process of...
Search Results
Light Shift 3
Giclee Print
Edition of 50
I recently started to manipulate graphite drawings in a digital illustration app.
The process started out of curiosity and I soon discovered that this fluid, fast and reversible method allowed me to play with aspects of my drawings that are not accessible when working purely with graphite and pastel. There is a tension in these opposed processes that I enjoy playing with.
In all my work I try to convey a sense of time through contrasting geological/universal time with impermanence. In the case of these digital drawings I am concerning myself with the movement of flickering light, I am trying to slow the flickering down by giving it a memory through repeating and layering what is usually too speedy to hold in our attention.
Light Shift 2
Giclee Print
Edition of 50
I recently started to manipulate graphite drawings in a digital illustration app.
The process started out of curiosity and I soon discovered that this fluid, fast and reversible method allowed me to play with aspects of my drawings that are not accessible when working purely with graphite and pastel. There is a tension in these opposed processes that I enjoy playing with.
In all my work I try to convey a sense of time through contrasting geological/universal time with impermanence. In the case of these digital drawings I am concerning myself with the movement of flickering light, I am trying to slow the flickering down by giving it a memory through repeating and layering what is usually too speedy to hold in our attention.
Light Shift 1
Giclee Print
Edition of 50
I recently started to manipulate graphite drawings in a digital illustration app.
The process started out of curiosity and I soon discovered that this fluid, fast and reversible method allowed me to play with aspects of my drawings that are not accessible when working purely with graphite and pastel. There is a tension in these opposed processes that I enjoy playing with.
In all my work I try to convey a sense of time through contrasting geological/universal time with impermanence. In the case of these digital drawings I am concerning myself with the movement of flickering light, I am trying to slow the flickering down by giving it a memory through repeating and layering what is usually too speedy to hold in our attention.
Moon-jars
I want to share with you an experience I had last winter, it was just before Christmas, I walked through London, I had a bad day and it was raining. I was lost, wet and tried to make my way to the British Museum to look at the Korean ceramics. I was not allowed...
Lockdown Sounds
In these strangest of times…we have been in lockdown since several weeks. Time takes on a whole other dimension, becomes timeless as the human made structures that normally are pinned to it have fallen by the wayside. I rarely steer my actions by a clock now,...
Carving Sound
I have been carving stone for more than 25 years, free and aimless to wanting to work like a mason, familiarising myself with quarries and their history, letter carving.
Privacy Policy
This privacy policy sets out how Ann-Margreth Bohl uses and protects information that you give when you use this website. We are committed to ensuring that your privacy is protected at all times. Any personal information that you provide will be handled in accordance...
Terms and Conditions
This website is operated by Ann-Margreth Bohl. Terms such as "we", "us" and "our" refer to Ann-Margreth Bohl where they are used in these terms and conditions. By purchasing something from our ecommerce store, you agree to be bound by the terms and conditions...
Artwork
Ann-Margreth Bohl works mainly in stone and metal and categorises her work by Installation, Drawing, Lettering and Sculpture. However, she also includes a variety of other media into her work, from beeswax to sound. Interested in light, shadow and the passing of time,...
Sound- 7
Sound
This is a new beginning after years of being concerned with qualities of light and shadow it is time to move on.
This ‘Sound’ series is a start.
When I draw I work within these restrictions
-only draw to sound or music
-only make a mark if you feel something
-play with different sounds that are just around
Sound- 6
Sound
This is a new beginning after years of being concerned with qualities of light and shadow it is time to move on.
This ‘Sound’ series is a start.
When I draw I work within these restrictions
-only draw to sound or music
-only make a mark if you feel something
-play with different sounds that are just around
Artwork For Sale
I draw to think and get a feel for a subject I am interested in.
View all of my artwork for sale.