Edition of 50
I recently started to manipulate graphite drawings in a digital illustration app.
The process started out of curiosity and I soon discovered that this fluid, fast and reversible method allowed me to play with aspects of my drawings that are not accessible when working purely with graphite and pastel. There is a tension in these opposed processes that I enjoy playing with.
In all my work I try to convey a sense of time through contrasting geological/universal time with impermanence. In the case of these digital drawings I am concerning myself with the movement of flickering light, I am trying to slow the flickering down by giving it a memory through repeating and layering what is usually too speedy to hold in our attention.